The recent conceptual works show the welding between the tension of textile
Weft and the growing of plastic structures, to move to games of consolidated
Canvas, structures, taut buy furrows, fold, crossing, flowing from the canvas
Of the painting through curtains curtains and slits.
The space scanning of the forces, net have been replace by the musically of the
Light-dark rhythms, a music wich is “real” and evolving towards after-Fontana
Issues and reaching the visionary-tactile-onerirc of perturbing plastic apparences
, glowing of, essential frottages, with daring background painting of red, yellow,
Blue, at times with almost ENGL/ BIOGRAPY /ARTISTIC ACTIVITIES
Milva Pienotti,born in Tuscany at Ceserano (Fivizzano-MS), where she is
Living and working. From an early age and for over thirly years she as been painting and experimenting with different techniques and materials.
She graduated at Carrara Art School and attended the Faculty of Architecture in Florence.
She has wide selection of works on different themes and techniques.
Mixed media, oil, acrilic, vinylic, pigments, pigments, enemals, weavings, recycling materials, hardened canvas, clasters, polyurethane form.
Chalk and pastel drawings, inks, toner.
Works on Show
Art Galeries: Bern, Milan, Genoa, Pisa, Florence, Venice, Rome, Bergamo, Piacenza, Modena, Viareggio.
Works in Museums
Museo Forum Artis – Montese – Modena
Internet Art Museum – London: www.artaddiction.net
Newspapers Magazine and Annuals
La Nazione – Annuario d’Arte Moderna
Il Corriere della Sera – Arte
Il Resto del Carlino – Praxis
Il Secolo XIX Forum Artis
Critic essais and assessments
Luciano Caprile,Vittorio Sgarbi, Lino Cavalieri, Ferruccio Bettolini,
Franco Basile, Aurelio Carbone, Fabio tedeschi
monochromatic bronzes, auroral greys, antique gold,